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歡樂人間 歡樂天堂 Von irdischen und himmlischen Freuden

tonight shiny horn French horn musicians Stefan Dohr

playbill of: Helge Jung

happily into the night, ah! Alone, had to be so pleasant?

really looking forward to tonight's tracks, but - I did not think tonight turned out to be an auditory feast of life. More out of the hands of a ticket sold at the concert hall to approach the door.

the person sitting next to me continually grateful for this ticket I sell him, and said he is also a musician, and very eager to hear tonight's concert. I asked what instrument he plays? He replied that he was a singer. No wonder - he was so looking forward to this evening is an exquisite vocal beauty of tone.

今晚的曲目很長，而且沒有中場休息時間。整整兩個小時的聆聽期待和音樂家們絕世的心靈溝通。

曲目組合很有意思，這也是看了節目單才意會。Hugo Wolf 是一位辛辣尖酸的作曲家。與同年代的Brahms誓為宿敵，十九世紀的維也納樂界象徵性的兩大陣營。而馬勒則是超脫這兩大陣營卻同時被人們尊敬的作曲家。馬勒的音樂不僅僅告別傳統，同時走出一條定義新時代的音樂道路。今晚曲目組合還有一個共同特色：三首樂曲都側重聲樂（獨唱與合唱：女高音、女低音、童音）、重用豎琴和法國號。



Berlin Philharmonic conductor: Simon Rattle Rattle

Johannes Brahms Johannes Brahms (1833-1897)

Es tönt ein voller Harfenklang op. 17 Nr. 1 complete harp sound

Hugo Wolf Wolf (1860-1903)

Elfenlied lyrics from Shakespeare's "Midsummer Dream"

Gustav Mahler Gustav Mahler (1860-1911)

Symphonie Nr. 3 d-Moll Third Symphony

頭兩首曲子一氣呵成，沒有停頓。接著馬勒登場。第一段結束，我狐疑地問鄰座，沃爾夫怎麽沒演奏？他說女高音那一段就是。原來如此。他說之所以把馬勒第三交響樂曲跟布拉姆斯的《圓滿的豎琴聲響》放在一起共同演出，因爲馬勒「偷」了布拉姆斯的音符，特別是法國號那一段。我說與其說馬勒「盜竊」，其實布拉姆斯這首《圓滿的豎琴聲響》一點都不「布拉姆斯」。他笑說：『也對！反而比較「馬勒」！』音樂作曲家在他們自己的時代，彼此之間水火不容，後世人聆聽過後不禁莞爾，你中有他、他中有你，都是一代音樂巨人呵！

1907 concert posters

energy tonight, no doubt the body in the Mahler, and La is the first joint performances with the Berlin Philharmonic Orchestra song . Berlin Philharmonic last performed in 1896 under the command of Arthur Nikisch stage, and only played the second paragraph. Finally the whole symphony had a full debut after five years (June 9, 1902). 感謝John的指正。

馬勒的第三交響樂曲堪稱「巨作」，一曲宇宙之音的創作。光說樂曲長度，單單首段就比貝多芬第五交響樂曲還要長，長達四十五分鐘。除了首段偉大流暢一氣呵成，馬勒自己描述這一個樂曲從此進入一個「難產嬰兒」的創作階段。這個難產嬰兒沒有選擇餘地漫長地等待誕生的那一刻。馬勒痛苦不堪，說只消想想誕生該有的局面，就不期然意識到這是一項多麽艱鉅浩大的工程。有次他甚至形容他正在創作的作品是一個「怪物」。爲什麽這個作品被形容成「怪物」呢？因爲馬勒要它包羅萬象：造世主的傑作、自然災難的基本現象、被造世主遺棄於人世的人類心靈，沛然充斥著馬勒所有心情。

this symphony was originally called "summer afternoon dream Sommermittagstraum", which get a glimpse of Mahler's heart, he divided into six parts of this song:

1. Summer stride forward and awaken the consciousness of the season.

2. The grass tell me what the flowers.

3. Forest animals to me what to say.

4.人類跟我說了些什麽。

5.天使傳遞了什麽信息。

6.愛又告訴我了什麼。



馬勒知名第三號交響曲無人不知無人不曉，但是還要一個拉圖，才完整地呈現馬勒所有綿綿無盡的愛意、怪誕、痛苦、深沉。特別是首段結尾的鼓聲的狂野，幾乎可媲美Hard Rock.

boiling the audience tonight, and also have never seen all sides of the audience stood up, clapping three times, three Xie field for tonight's feast of joy grateful cheers!

Yiyi Unforgettable, regret and Yiyi. Many people still infinite applauded at her La Come out - ah! Boil up wherever he goes again!